I SEE International Video Art Festival 国 际 艺 术 影 像 节

Why is not nothing? The potential of the absent seems endless. This video is the paradox attempt to observe the permanence of change. The viewpoint of the observer is the city of Cuxhaven. Cuxhaven has the demography today that is predicted for Germany in 25 years. The wind blows invisibly through the video. The sea comes and goes. Nature is neither nice nor evil. The climate is changing. Everything seems to be on the move. The cycles of the planet rotate. Death is always present, but is only punctual and not the end. The future happens elsewhere and comes to the spectator. Do the things change, when you change the way you look at them?

为什么不是什么？缺席的潜力似乎是无尽的。这个视频是观察改变永恒的悖论企图。观察者的观点是库克斯港市。
库克斯港有今天的人口，这是预计在德国25年。风通过视频看不见。海来来去。自然既不好也不邪。气候在变化。
一切似乎都在移动。行星的周期旋转。死亡总是存在，但只是准时而不是结束。未来发生在其他地方，来到观众。
做什么改变，当你改变你看他们的方式吗？

The acting tutorial is a narrative experiment. It takes an ambiguous way of image language to build a serious and humorous performance: a teaching scene. The instructor takes the acting students through the most extreme situations in life: birth, love, loss and death.

《演技教程》是一个叙事实验 , 13 个女演员以一种夸张 , 模凌两可的表演语言构建了一个严肃又诙谐的表演教学现场。指导老师带领她们演绎人生中最极端的几个阶段：生产，恋爱，失落和死亡。

The video shows the artist standing still, holding a colorful ice- cream cone. Her gaze appears to be frozen in fear. The ice drips rhythmically on the floor creating vivid stains. The liquid mass of the melting ice alludes to rivers, avalanches and lakes. The cone appears to be a dam about to collapse. The tension that the gaze creates opens up an imaginary space. A catastrophe seems to happen here.

视频中艺术家保持站立姿势，手里举着一个彩色的冰淇淋甜筒。她的眼神充满了恐惧。冰淇凌不断融化，有节奏地滴落在地板上，留下一片鲜艳的污点。这些融化的液体被喻为河流、雪崩和湖泊。甜筒似乎是瓦解的水坝。通过眼神传递出的紧张情绪开启了一个想象的空间，预示着灾难的发生。

“Death” is a filmic portrait of death. Various protagonists circle in a “danse macabre” around the topic of death: a sociologist, a playing child, a ferryman, a philosopher, a gambler and the curator of a Sepulchral Cultural Museum. The sociologist Dirk Baecker states: “There is no image of death anymore, we are just whimsical organisms, in disharmony with the world, there is no cosmic order, the only thing left is our body as our home.”

这件作品是对死亡的电影化描写。各种各样的角色围绕死亡的话题出现在片中，有社会学家、玩耍的孩童、摆渡人、哲学家、赌徒以及一位丧葬文化博物馆的馆长。社会学家Dirk Baecker 说过： 死亡的图像不复存在，我们不过是古怪的生物，无法与世界和谐共处；宇宙的秩序不复存在，唯一留下的是如归宿一般的我们的身体。